[00:22:06][00:28:45]

The sentences from the ghost as Sidney runs to the window are missing from the AC.

No time difference.


[00:22:36][00:29:15]

In Assembly Cut, Sidney hears something at the door. She runs to her desk to get a gun. Slowly, she runs to the door and is surprised by her father. Sidney tells him that Cotton has been murdered. The two go to the kitchen to unpack the groceries. Sidney tells her father that it is happening again. Her father says that Cotton had many enemies.

AC: 1:27 min.


[00:22:36][00:30:42]

The scene at the film studio comes during the Assembly Cut at [00:31:56].

The theatrical version shows only the film studio with the advertising banner.

In the Assembly Cut, we see Sarah driving her car to the gate. She says she has a meeting with the director. The gatekeeper is surprised that she is working on the weekend and asks for an ID. Sarah says that her picture is on the poster after all. The doorman says that he still needs to see her ID, as this is part of the new security policy. Sarah scornfully says that this is how he ensures security in the parking lot. Sarah drives through the barrier

Theatrical Version: 2 sec.
AC: 59 sec.


[00:22:53][00:33:09]

In another shot in the Assembly Cut, Sarah is observed walking up the steps to the studio.

AC: 8 sec


[00:23:52][00:34:16]

The phrase "Everything's important to Roman." from Tyson is missing from the AC.

No time difference.


[00:23:56][00:34:21]

The Theatrical Version shows a pan across the bulletin board in the office.

The Assembly Cut shows Sarah going into the office and looking around a bit.

Theatrical Version: 4 sec.
AC: 23 sec.


[00:24:24][00:35:08]

Sarah can be seen earlier as she tries to put her head on the figure.

AC: 1 sec


[00:24:39][00:35:24]

Sarah is seen longer, then the figure earlier.

AC: 1 sec


[00:24:49][00:35:35]

Sarah can be seen earlier. She says that she is not satisfied with many things.

AC: 2 sec


[00:26:10][00:36:58]

Sarah can be seen further on as she complains about the re-write. She says that she is a professional and can't work like that.

AC: 3 sec


[00:26:29][00:37:20]

In another shot, Sarah can be seen after she hangs up.

AC: 3 sec


[00:26:39][00:37:33]

As Sarah runs away, the Assembly Cut shows a security guard entering the office.

AC: 5 sec.


[00:27:05][00:38:04]

The Theatrical Version shows Sarah hiding for a longer time. She calls the number of the film studio with her cell phone.

Theatrical Version: 9 sec.


[00:27:25][00:38:16]

In the Assembly Cut, the guard says "Someone here?" as the gang is seen. Nothing is heard in the theatrical version.

No time difference.


[00:27:34][00:38:25]

After the guard leaves, the Theatrical Version shows Sarah continuing to hang in the queue. The killer moves his head and pulls the knife. Sarah hears something and looks behind. She sees the killer move to the side. He starts pushing the car.

In the Assembly Cut, the camera pans across the costumes. Sarah first dials the number here and is put on hold by the studio hotline. By the way, a man's voice is heard here, while in the theatrical version it was a woman's voice. The killer draws his knife. Sarah can be seen. She hears something and looks behind. The killer steps to the side and moves his head. Cut to Sarah. The killer pushes the car.

Theatrical Version: 16 sec.
AC: 36 sec


[00:27:59][00:39:10]

In the Assembly Cut, Sarah hurls a heavy object at the killer. The killer falls to the ground.

AC: 3 sec.


[00:28:09][00:39:23]

Sarah can be seen further on. She throws two more props at the killer, who dodges each one.

AC: 4 sec


[00:28:11][00:39:29]

Sarah can be seen earlier before she goes after the killer with the axe.

AC: 1 sec


[00:28:14][00:39:33]

The killer grabs Sarah and pushes her through the glass window.

AC: 3 sec


[00:28:15][00:39:37]

In the theatrical version, Sarah is seen longer than she has crashed through the glass pane. The killer stabs her from behind with the knife.

The Assembly Cut cuts to the killer, who sees Sarah fall through the glass. Sarah straightens up again. The killer stabs her from behind with the knife. The scene looks more brutal in the Assembly Cut than in the Theatrical Version.

Theatrical Version: 4 sec.
AC: 9 sec


[00:28:23][00:39:49]

In the theatrical version, the dead Sarah is seen for a longer time.

The Assembly Cut shows the killer pulling the knife out of Sarah. A contemptuous "Huh!" can be heard from him.

Theatrical Version: 2 sec.
AC: 4 sec


[00:28:30][00:39:57]

Gale and Dewey are seen earlier in the restaurant. Gale says she wants to make one thing clear. In the theatrical version, she was preceded by the following sentence.

AC: 5 sec.


[00:28:34][00:40:06]

Gale is seen earlier, before she says she wrote the book about the murders.

AC: 1 sec


[00:28:38][00:40:11]

The Theatrical Version cuts to Dewey earlier as he says she can't wait to write a new book.

Gale is seen longer in the Assembly Cut.

Theatrical Version: 1 sec.
AC: 1 sec


[00:28:40][00:40:12]

In the theatrical version, Gale is seen a little earlier.

Dewey goes on to say in the Assembly Cut that the book has the potential to be a bestseller because it would be about murders and famous celebrities. Gale puts the contents of her bag on the table and says she has nothing to hide and there is no camera or recording device. Dewey asks what the small device is. Gale says that it is a cell phone.

Theatrical Version: 1 sec.
AC: 21 sec


[00:28:43][00:40:36]

In the Theatrical Version, Gale is seen earlier when she says Dewey never wanted to leave Woodsboro.

In the Assembly Cut, Gale still says "Technical adivsor, my ass.".

Theatrical Version: 1 sec.
AC: 4 sec


[00:28:47][00:40:43]

The Theatrical Version cuts to Dewey as Gale says he is now here.

The Assembly Cut continues to feature Gale.

Theatrical Version: 1 sec.
AC: 2 sec