[00:18:04][00:24:14]

Natasha can be seen walking away for longer in the workprint. After that, you see Chance earlier.

WP: 2 sec


[00:18:06][00:24:18]

The Unrated continues to show Chance pulling out his wallet.

The workprint cuts to the foreman earlier.

UR: 1 sec
WP: 1 sec


[00:18:43][00:24:56]

In the Unrated, the foreman can be seen further along saying that the ship doesn't leave until the end of the week. After that you see Chance earlier.

The workprint cuts to Natasha in the car instead.

UR: 4 sec
WP: 4 sec


[00:18:53][00:25:06]

The Unrated cuts earlier to Chance pulling the door open again.

The workprint continues to show the foreman instead. Chance pulls the door open again.

UR: 1 sec
WP: 1 sec


[00:18:59][00:25:12]

Natasha's car can be seen earlier in the workprint.

WP: 1 sec


[00:19:02][00:25:16]

Natasha's car can be seen for longer.

WP: 1 sec


[00:19:08][00:25:24]

The camera zooms in further on Chance, then you see Natasha earlier.

WP: 3 sec


[00:19:10][00:25:28]

In the unrated version, the workers can be seen earlier.

The workprint continues showing Natasha stopping the car.

UR: 2 sec
WP: 3 sec


[00:19:15][00:25:33]

The workers can still be seen.

WP: 1 sec


[00:19:30][00:25:51]

The camera continues to move towards Natasha, then Chance can be seen running towards her earlier.

WP: 2 sec


[00:19:37][00:25:59]

In the Unrated, Chance comes to Natasha's car and asks if the man she's looking for owes her money. Natasha says that he is her father. Chance wants to help her for two days and asks for 217 dollars. Natasha says that he can drive, but Chance says that he doesn't have a license. The two are seen in the car and introduce themselves.

Natasha can be seen for longer in the workprint. Then two other shots of the two of them in the car. The shots up to the point where Natasha says that she is looking for her father are superimposed on the previous shot.

UR: 33 sec
WP: 14 sec


[00:20:18][00:26:21]

Natasha is seen longer after she says Nat is a short form.

WP: 1 sec


[00:20:27][00:26:31]

In the Unrated, Natasha looks playfully at Chance after he explains the origin of his name.

The workprint shows an alternate shot of her.

UR: 3 sec
WP: 3 sec


[00:20:32][00:26:36]

In the Unrated, Natasha explains that her parents separated when she was seven years old. Her father moved away. Then it fades to the mission.

In the workprint, Natasha explains that just a few months ago she didn't know where he was. Last summer, her father wrote a letter when she graduated from law school. She wanted to meet him, but her father said he was too busy. No more letters arrived for three weeks. Her father never mentioned that he was homeless. Chance says that it's hard for a family to lose their father. Natasha says that it's hard for a child to lose their father. Chance agrees.

UR: 12 sec
WP: 53 sec


[00:20:56][00:27:42]

Natasha's car can be seen longer before the mission. The next shot starts earlier.

WP: 1 sec


[00:20:59][00:27:46]

Chance and Natasha are seen earlier. Chance's sentence was superimposed on the previous scene in the unrated version.

WP: 2 sec


[00:21:01][00:27:49]

In the unrated version, Chance and Natasha can be seen longer in the car.

The workprint has a shot of the homeless for this.

UR: 0.5 sec
WP: 3 sec


[00:21:29][00:28:20]

Elijah can be seen longer in the unrated version. Chance asks if they know each other. Elijah says that he has seen something.

The workprint shows an alternate shot, then a cut to Natasha and Elijah.

UR: 7 sec
WP: 7 sec


[00:21:41][00:28:32]

The workprint shows another shot of the homeless, then a cut to Natasha and Elijah as he talks about the shopping cart.

WP: 10 sec


[00:21:47][00:28:48]

The Unrated inserts a shot from the shopping cart.

In the workprint, the homeless people are seen for longer, then you see Elijah earlier.

UR: 3 sec
WP: 1 sec


[00:21:54][00:28:53]

Natasha and Elijah can be seen longer in the unrated version. Cut to Natasha and then to the sleeping bag. Elijah is seen earlier helping Natasha.

The workprint has an alternate shot of Natasha. Cut to the shopping cart. The shot was seen in the Unrated when Elijah told of his find. Natasha runs forward. She runs her hand over her father's name on the sleeping bag.

UR: 13 sec
WP: 34 sec


[00:22:16][00:29:37]

Natasha can be seen opening the suitcase for longer.

WP: 0.5 sec


[00:22:18][00:29:39]

Natasha grabs her nose after opening the suitcase.

WP: 3 sec


[00:22:22][00:29:47]

In the workprint, Natasha pulls out more letters addressed to her.

WP: 3 sec


[00:22:25][00:29:54]

Cut to Chance before Natasha pulls out the photo.

WP: 2 sec


[00:22:50][00:30:21]

The workprint cuts to Natasha after she discovers the phone sex flyers.

WP: 2 sec


[00:22:53][00:30:26]

Elijah can be seen earlier.

WP: 1 sec


[00:22:54][00:30:28]

The Unrated shows Elijah taking the flyers.

The workprint continues to use the same shots.

UR: 2 sec
WP: 4 sec


[00:22:59][00:30:35]

Chance can be seen longer in the workprint.

WP: 2 sec


[00:23:08][00:30:45]

The workprint shows Randal handing out more flyers.

WP: 6 sec


[00:24:12][00:31:56]

In the Unrated, Chance is seen earlier than he says they are walking.

UR: 2 sec


[00:24:22][00:32:04]

Pik can be seen longer in the workprint. In one shot, Natasha and Chance run out of the house.

WP: 3 sec


[00:24:49][00:32:34]

In the unrated version, the policeman can be seen for longer.

In the workprint, Natasha is cut to earlier.

UR: 1 sec
WP: 1 sec


[00:25:04][00:32:49]

The workprint fades from Natasha to Chance. He looks at her.

WP: 8 sec


[00:25:08][00:33:01]

Marie can be seen longer in the unrated version. Cut to Natasha standing. Marie runs towards her.

The workprint cuts to Chance. Natasha is sitting on the sofa in the background. Cuts to Marie and Natasha. Natasha stands up. Marie runs towards her.

UR: 8 sec
WP: 14 sec


[00:25:33][00:33:33]

Marie can be seen in the workprint longer than she told us that the fire department had found Doug's body.

WP: 1 sec


[00:25:37][00:33:38]

The Unrated continues to show Marie as she says Doug is badly burned.

The workprint continues to show Natasha.

UR: 3 sec
WP: 3 sec


[00:25:51][00:33:52]

Marie is seen longer, then Natasha earlier.

WP: 3 sec


[00:25:54][00:33:58]

The Unrated continues to show Natasha leaving. Marie asks Chance what his role in the case is. Chance says that he helped Natasha find her father. An exterior shot of the city is shown, then fades to Randal's room.

In the workprint, the image freezes as Natasha leaves. You can hear that she blames herself for everything.

Then it fades to the bar scenes, which comes in the Unrated at [00:28:46].

UR: 11 sec
WP: 5 sec


[00:26:34][00:36:40]

The Unrated shows Randal banging against the lamp.

In the workprint, the follow shot in which Fouchon appears starts earlier.

UR: 1 sec
WP: 1 sec


[00:26:54][00:37:01]

The Unrated cuts earlier on Pik.

In the workprint, you can further see Pik applying the scissors to Randal's ear.

UR: 1 sec
WP: 1 sec


[00:27:09][00:37:15]

In the Unrated, Pik can be seen earlier as he applies the scissors.

UR: 1 sec


[00:27:11][00:37:16]

In the workprint, the same shot of Pik is longer.

WP: 0.5 sec


[00:27:11][00:27:17]

The Unrated cuts to Fouchon as Pik cuts off the ear.

The workprint goes on to show how Pik cuts. This is followed by two bloody shots of Pik cutting off Randal's ear.

UR: 2 sec
WP: 5 sec


[00:27:14][00:37:23]

Randal can be seen earlier pressing his hand to his severed ear.

WP: 1 sec


[00:28:15][00:38:27]

Randal is seen earlier as he spits up blood after being hit by Fouchon.

WP: 0.5 sec


[00:28:46][00:38:58]

In the Unrated version, there is a fade from the scissors to the scene in the bar.

The workprint fades to the scene where Elijah is sitting in Randal's office.

WP: 5 sec


[00:28:51][00:34:09]

In the Unrated, Natasha says that her father lived out of a shopping cart. She wonders why he didn't tell her this.

In the workprint, Natasha says that she remembers when he came back from the war and how quiet he was. He sat in the dark and just listened. There are scenes of Binder hunting. Natasha goes on to say that she wanted to die when he left. She wanted to tell him that she loved him. Now she doesn't know if he loved her. Chance says that of course Binder loved her because he's her father. She asks why he didn't ask for help then.

UR: 13 sec
WP: 1:18 min.


[00:29:15][00:35:38]

In the Unrated, Natasha says she's thinking about how she wanted to tell him she loved him. Then Chance is seen earlier.

In the workprint, Chance goes on to say that it's hard to ask for help.

UR: 13 sec
WP: 9 sec


[00:29:34][00:35:53]

The workprint cuts to Natasha again. Then the camera moves from Chance and Natasha to the bar sign. From there, there is a fade to Randal's room.

The scene in which Fouchon looks at the file comes in the workprint at [00:44:34].

WP: 16 sec


[00:29:45][00:44:45]

Fouchon can be seen for longer. Then you see the building earlier.

WP: 1 sec


[00:30:00][00:45:02]

Chance can be seen in the Unrated. Pik explains that he was raised in Bayous by his uncle.

In the workprint, Pik can be seen just saying “Yeah”, after which you see the file earlier.

UR: 4 sec
WP: 4 sec


[00:30:06][00:45:09]

The coroner's report is longer in the unrated version.

The workprint cuts to Chance earlier.

UR: 3 sec
WP: 1 sec


[00:30:10][00:45:12]

Chance can be seen longer in the Unrated. Pik says that he should pay him a visit, but Fouchon wants him to send some “boys” over. Chance is then seen looking at the pictures of the burnt body.

The workprint cuts directly to the images of the burnt corpse. Sometimes other images can be seen.

UR: 22 sec
WP: 4 sec