[00:06:32][00:08:41]

In the workprint Natasha can be seen earlier in front of the house.

WP: 5 sec


[00:06:42][00:08:56]

Natasha can be seen in the workprint earlier, after the door has been opened. She looks up, startled.

WP: 3 sec


[00:06:47][00:09:05]

The workprint has more dialog between Natasha and the landlady. The landlady says that Doug doesn't come here anymore and he already moved three months ago. The landlady wants to close the door again, but Natasha says that she only wrote to Doug three weeks ago. The landlady says that Doug picks up his mail from time to time.

WP: 17 sec


[00:06:53][00:09:27]

In the Unrated, Natasha is seen longer after she says that she is Doug's daughter. The birdcage is seen earlier.

In Workprint, Natasha is invited into the apartment by the landlady. There is a fade to the birdcage.

UR: 2 sec
WP: 10 sec


[00:07:11][00:09:52]

The landlady tells Natasha that she has offered to pay Doug's rent later. Natasha is seen earlier and wonders.

WP: 8 sec


[00:07:13][00:10:02]

Natasha can be seen a little longer in the unrated version.

UR: 0.5 sec


[00:07:17][00:10:07]

In the workprint, the landlady asks if Natasha didn't know that Doug lost his job. Natasha confesses that she had no idea.

WP: 6 sec


[00:07:40][00:10:35]

The Unrated cuts briefly to Natasha looking at the photo, then a cut to the photo. The landlady says she should ask in the Mission.

The photo can still be seen in the workprint. Natasha pushes it back into the box. She pulls out a medal and says that it is worth 1000 dollars.

A mission can be seen. Natasha looks around and finally sees Elijah. She asks if he works here and says that she is looking for someone and gives him Doug's photo.

UR: 5 sec
WP: 1:12 min


[00:07:58][00:12:00]

In the Unrated, Elijah says that Doug will let him know when he sees him.

Elijah asks in the workprint if Natasha is from the police. She says that she is Doug's daughter. Then Doug's sentence follows, cutting to Natasha again. Elijah can be seen earlier afterwards.

UR: 3 sec
WP: 14 sec


[00:08:03][00:12:18]

Natasha can be seen longer in the workprint.

WP: 1 sec


[00:08:20][00:12:35]

The unrated fades out when Natasha is seen.

In the workprint, the camera continues to move towards Natasha. She asks Elijah if her father was homeless. Elijah diplomatically replies that Doug had no place to spend the night. Cut to Natasha.

UR: 1 sec
WP: 19 sec


[00:08:55][00:13:27]

Chance's mouth can be seen longer in the workprint.

WP: 0.5 sec


[00:09:14][00:13:48]

Natasha can be seen earlier in the workprint, before she goes into the restaurant.

WP: 2 sec


[00:09:18][00:13:54]

Natasha can be seen at the door for longer in the workprint.

WP: 1 sec


[00:09:21][00:13:59]

Chance can be seen in the workprint for longer with the coffee. Then you see Natasha running to the phone earlier.

WP: 5 sec


[00:09:24][00:14:06]

Natasha can be seen earlier in the workprint with her purse.

WP: 1 sec


[00:09:27][00:14:10]

In the Unrated version, Natasha continues to walk through the restaurant.

The workprint cuts to two men watching Natasha.

UR: 3 sec
WP: 4 sec


[00:09:45][00:14:30]

In the workprint, Chance can be seen longer at the counter.

WP: 1 sec


[00:09:46][00:14:33]

The two men can be seen longer in the unrated version.

The workprint cuts to Chance earlier.

UR: 1 sec
WP: 1 sec


[00:09:49][00:14:36]

In the Unrated, Chance turns to Natasha.

In the workprint, Natasha runs to the phone earlier.

UR: 1 sec
WP: 1 sec


[00:10:25][00:15:13]

Natasha can be seen walking down the street earlier in the workprint.

WP: 1 sec


[00:10:27][00:15:17]

The gangsters can be seen for longer in the unrated version.

In the workprint, Natasha is cut to earlier.

UR: 1 sec
WP: 1 sec


[00:10:32][00:15:20]

In the Unrated, Natasha says to the gangsters that they should leave her alone.

The workprint cuts to Chance, then you see Natasha earlier.

UR: 1 sec
WP: 2 sec


[00:10:34][00:15:24]

The workprint shows the gangster snatching Natasha's bag.

WP: 0.5 sec


[00:10:41][00:15:32]

Natasha's head pops further down in the workprint.

WP: 0.5 sec


[00:10:49][00:15:40]

Chance continues to move forward in the workprint.

WP: 0.5 sec


[00:11:20][00:16:12]

The Unrated cuts to one of the gangsters before Chance pushes back his coat.

UR: 2 sec


[00:11:26][00:16:16]

Chance can be seen earlier in the workprint before he looks to the side.

WP: 1 sec


[00:12:12][00:17:04]

The Unrated continues to show how Chance turns.

UR: 1 sec


[00:12:42][00:17:33]

In the unrated version, Natasha can be seen earlier in the car.

UR: 1 sec


[00:13:27][00:18:19]

The Unrated shows two shots of the protesters.

The workprint shows more scenes of the demonstrators. These have been slowed down. A news van pulls up. Afterwards, Natasha can be seen earlier in her car.

UR: 4 sec
WP: 27 sec


[00:13:36][00:18:52]

The unrated here shows a shot of the strikers that was previously seen in the workprint.

The workprint shows the reporters longer, then Natasha earlier.

UR: 5 sec
WP: 1 sec


[00:13:47][00:18:59]

In the unrated version, the police station can be seen from the outside.

Natasha can be seen for longer in the workprint. She walks past the strikers. The tracking shot through the police station starts earlier.

UR: 3 sec
WP: 16 sec


[00:14:26][00:19:52]

The Unrated shows Natasha sitting next to Marie.

The workprint shows an alternate shot of this.

UR: 1 sec
WP: 2 sec


[00:14:43][00:20:09]

Natasha can be seen in the workprint for longer than Marie types in the ad.

WP: 1 sec


[00:14:56][00:20:24]

In the workprint, Natasha goes on to tell Marie that although she has another photo, it doesn't do much good.

WP: 4 sec


[00:15:01][00:20:34]

Marie continues to ask in the workprint why Natasha is suddenly interested in her father. She says that he is now missing.

WP: 6 sec


[00:15:02][00:20:41]

Natasha can be seen earlier in the workprint after Marie asks for an address.

WP: 3 sec


[00:15:05][00:20:47]

The Unrated cuts to Marie after Natasha says her father was homeless.

Natasha can still be seen in the workprint.

UR: 2 sec
WP: 2 sec


[00:15:10][00:20:52]

Marie can be seen earlier in the unrated version.

UR: 1 sec


[00:15:14][00:20:55]

Marie can be seen longer in the workprint, then Natasha earlier.

WP: 1 sec


[00:15:22][00:21:04]

Marie can be seen longer in the workprint.

WP: 1 sec


[00:15:32][00:21:15]

The unrated shows Marie turning around.

The workprint shows an alternate shot of this.

UR: 1 sec
WP: 1 sec


[00:15:45][00:21:28]

In the Unrated, Natasha turns around and leaves.

In the workprint, she ironically thanks for the help before leaving.

UR: 3 sec
WP: 4 sec


[00:16:34][00:22:18]

The tracking shot over the workers starts earlier in the workprint.

WP: 2 sec


[00:16:43][00:22:29]

The workers can be seen for longer in the workprint.

WP: 1 sec


[00:16:47][00:22:34]

The workprint shows another shot of the workers.

WP: 1 sec


[00:16:53][00:22:42]

The workers can be seen earlier in the workprint.

WP: 1 sec


[00:16:58][00:22:48]

Chance can be seen earlier in the workprint at the harbor.

WP: 1 sec


[00:16:59][00:22:50]

Another worker is hired in the workprint. Then Natasha and Chance are seen earlier.

WP: 4 sec


[00:17:06][00:23:00]

The workprint shows how another man is hired.

WP: 4 sec


[00:17:11][00:23:09]

Chance can still be seen in the unrated version.

In the workprint, Natasha asks why now is not a good time. Chance says that he's listening to someone else.

UR: 0.5 sec
WP: 6 sec


[00:17:21][00:23:26]

In the Unrated, Chance asks what he should do.

The workprint shows an alternate shot of him. His question is the same.

UR: 2 sec
WP: 2 sec


[00:17:26][00:23:30]

Chance can be seen earlier in the Unrated version.

UR: 1 sec


[00:17:32][00:23:36]

Again, the workprint shows how a man is hired.

WP: 3 sec


[00:17:45][00:23:52]

The foreman can be seen longer in the workprint.

WP: 1 sec


[00:17:59][00:24:06]

The Unrated shows how Chance runs past people.

Natasha can be seen longer in the workprint. Chance walks past people.

UR: 2 sec
WP: 5 sec