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To Live and Die in L.A






National Lampoon's Vacation






The War of the Worlds






DUNGEONS & DRAGONS: HONOR AMONG THIEVES






Scream 6






The Truman Show




Mulholland Drive

original title: Mulholland Dr.

Comparison:

  • Theatrical Version
  • TV Pilot
Release: Nov 14, 2021 - Author: entire:liam - Translator: Mike Lowrey - external link: IMDB

Ryan Entertainment



[Theatrical Version 27:41] [TVP 20:13]
Scene positioning
Audio change
The section when Adam, his manager and Ray Hott hold the meeting with the dubious Castigliane brothers at Ryan Entertainment runs in a different order in both versions. Both the Theatrical version and the TV pilot feature more footage. Audio change: The TV version underpins everything with a soundtrack.

Theatrical VersionTV pilot

The Castigliane brothers walk to the entrance of the building and Adam talks to his manager.

Extended scene
In the TV pilot, Adam arrives first and has a short dialogue with Ray Hott.
33,3 sec

Then follows the explanation of his manager and the arrival of the Castigliane brothers.

Extended scene
However, they take a longer route through the building.
5,9 sec

Extended scene
Alternative footage

The photo of Camilla Rhodes is examined. There follows another cut to Adam, Ray Hott and the photo with name.
15,6 sec




In the TV pilot, there’s only the alternative photo without the name.
4,4 sec

Extended scene
Mr. Roque watches everything from his room.
3,8 sec

Extended scene
The barista waits even longer for a sign from Vincenzo.
7,9 sec

Extended scene
After Vincenzo spits out his espresso, Adam loses his nerve and leaves the meeting. Mr. Roque is seen once again.
10,5 sec


Audio change
Vincenzo: "This is the girl."



Hier: "That is the girl."

Extended scene
The Castigliane brothers leave the meeting only in the TV pilot. Then Adam tells his manager what he thinks of them and then leaves the room.
1 min 23,9 sec



[Theatrical Version 27:41] [TVP 20:13]
Extended scene
The short dialogue as Adam arrives.

Adam:What's the problem?
Ray Hott:There's no problem.
Adam:So, why did you idiots bring me here?
I'm in the middle of making a picture.




[Theatrical Version 34:36] [TVP 28:20]
Extended scene
Audio change
After Vincenzo Castigliane spit out the espresso, he says: "Porca miséria!"
Only the Theatrical Version features a "Shit!".
6,7 sec



Revenge



[Theatrical Version 34:42] [TVP 28:28]
Extended scene
After Adam smashes the windows of the sedan, the TV pilot shows an additional close-up of the broken windshield as well as of the driver.
8,7 sec



[Theatrical Version 34:36] [TVP 28:20]
Audio change
In the TV pilot, loud (and inappropriate) blows can be heard here.

[Theatrical Version 34:42] [TVP 28:39]
New scene
Betty is worried about the sleeping Rita.
14,9 sec



Mr. Roque



[Theatrical Version 34:58] [TVP 32:37]
Audio change
In the TV pilot, Ray Hott is on his way to Mr. Roque and walks through several rooms. After the conversation, which can also be seen in the theatrical version, the Castigliane brothers leave the building. Audio change: Again, only the TV pilot features a soundtrack.

Theatrical VersionTV pilot
Extended scene
He taps a keypad, reaches into an opening next to the door and continues up the stairs. Then he gets into an elevator. He says his full name and a code:
"Raymand Hatt. 12743."

He gets out, walks down a long hallway and reports to the young lady. She looks after him and says:
"You can go right in, Ray."

1 min and 38,2 sec

Audio change
Only the Theatrical Version features in the background:
"Her name is Camilla Rhodes. And the director doesn't want her."






Extended scene
The Castigliane brothers then walk down the stairs.
12,2 sec



[Theatrical Version 36:30] [TVP 35:37]
Extended scene
Outside, they look at their wrecked car and then get picked up.
38,4 sec



Joe



[Theatrical Version 36:52] [TVP 16:11]
Extended scene
Joe and Ed talk more.
42,1 sec



[Theatrical Version 38:32] [TVP 17:12]
Longer shot
Joe walks down the hallway longer.
11,7 sec



[Theatrical Version 39:59] [TVP 18:49]
Extended scene
He does not shoot the voluptuous woman after all, but walks up to her and pushes her to the floor a second time. Only then does he go behind the desk at a distance. She yells: "Get away!"
17 sec



[Theatrical Version 40:46] [TVP 19:57]
Audio change
The alarm sound differs and is much shriller in the Theatrical version.