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Cliffhanger






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Human Traffic

Comparison:

  • Remixed
  • Original version (4K)
Release: Sep 07, 2025 - Author: Muck47 - Translator: Muck47 - external link: IMDB

Comparison between the Remixed DVD from Cinema Club in the UK and the 4K Blu-ray from BFI in the UK, the latter being identical in terms of editing to the UK DVD, German DVD and Blu-ray

 

44 differences, including 20 alternative sequences

  • 15 exclusive scenes in the remixed version with a total duration of 7:46 min (not including credits & fade-ins)
  • 19 exclusive scenes in the original version with a total duration of 7:40 min

 

Releases of the British cult film HUMAN TRAFFIC

Anyone who grew up with electronic music in the 90s (or even in the early 2000s) cannot ignore this film: Human Traffic by Justin Kerrigan from 1999 presents us with 48 hours in the life of a British clique that immerses itself in the local raver scene over the weekend. The cast includes John Simm (Life on Mars), Danny Dyer (The Football Factory, Severance), Andrew Lincoln (Walking Dead) and, in brief guest appearances, DJ legend Carl Cox and Howard “Mr. Nice” Marks.

The ups and downs (paranoia!) surrounding a drugged out night on ecstasy and, more importantly, the typical worries of the ~20-year-old protagonists are summed up in a wonderfully unconventional, but all the more tangible way. There are plenty of bizarre and entertaining scenes in the rather episodic plot, accompanied by a cult soundtrack that plays throughout. 

Drug use and sexual innuendo run throughout the entire plot, so the movie usually received '18' ratings in most countries, including the UK and Germany. The situation was different in the US, where over 10 minutes were removed for the R-rated release. In addition to a few suggestive moments, this mainly included some adjustments that covered up references that were “too” local/British for the domestic audience or bluntly expressed them in simpler English through re-dubbing. Another curious development was a British DVD re-release in 2003 as a “Remixed" Edition, which included some scenes with alternative material and new CGI effects, but unfortunately also replaced some of the iconic music tracks.

The 4K premiere was released in the UK on July 21, 2025. The British Film Institute (BFI) is once again presenting the uncensored original version, and a few new extras are also being offered. At least in the UK, there were even theatrical re-releases of the new 4K restoration shortly before. The remixed edition remains a relic of the DVD era and is not included here. However, the new release is reason enough for us to take a closer look at this chapter of the film.

 

The differences in the 'Remixed' edition on the British DVD

The film actually starts with crisp commentary directly into the camera from all the protagonists, which immediately clarifies the essential cornerstones of the plot. This is followed by the opening credits to Fatboy Slim's “Build It Up, Tear It Down” (YouTube), accompanied by a montage of celebrating techno disciples and wild street protests in black and white, creating a wonderfully ambivalent, vibrant atmosphere. In the remixed version, however, only a short comment by Danny Dyer's character Moff is placed at the beginning, followed by a newly edited opening credits sequence set to a techno track released after the film's theatrical release, in which all street protest shots have been replaced by additional (sometimes more home video-like) party shots. Only then does the introduction of all the characters follow, each introduced by cheap, pseudo-modern effects.

In these first few minutes, the remixed version has already lost hopelessly with many interested viewers and, above all, connoisseurs of the original version. Absolutely terrible decisions in the editing room that really make you shake your head in disbelief. At least this doesn't continue throughout the entire film: not all, but at least most of the music in later scenes has been retained, and not every scene has been “remixed” like this, not least because of the often long takes of conversations. Overall, it's the same film, and although the revised time/date inserts are unnecessary, they are tolerable.

What else sets this version apart are various removed and newly added scenes, adding up to the the same total running time in the end. Both versions offer a few minutes of exclusive material. Fans of the original version will also wonder why, for example, the climax of the new “national anthem” in the bar or Moff's uncertain and confused dealer scene in the first half were cut. There is no really clear line to be seen here, except perhaps (if you look at the cuts from street protests and the anthem) a tendency to reduce political and socially critical aspects in the remixed version.

Conversely, several scenes were added in which Jip (Simm) thinks about his mother. So there is a little more focus on the characters' problems, although his rather dark and emotional moments slow down the pace a little, and the difficult relationship was already presented sufficiently in the original version. The scene in which Jip reflects and talks to himself or two other Jips is touted in the DVD inlay as a “major CGI scene that we couldn't afford in the original film”. From today's perspective, the technical quality here doesn't really look that good, while the rest of the film still holds up perfectly fine today. So adding this CGI bit didn't really improve the film at all. The conversation between Lulu and Nina as strangers from an “alien planet” is also highlighted for its CGI, but well, that bit is not that spectacular in terms of both look and content either.

Also new are a few scenes with Nina's young brother Lee, but they all feel less “important” to the film. Among them is a conversation with director Justin Kerrigan as a jungle fan, which at least fits well with the wild atmosphere in the club. This was also edited together with the chopped-up sequence in which Andrew Lincoln's character Felix argues with a stoned guy. At least this bit can be seen as an example of why the whole thing is called “remixed.” All in all, it's interesting for fans to discover which additional scenes featuring their beloved characters (which, incidentally, are also not included in the deleted scenes of other releases!) can be found in this cut of the movie. However, the original version is still clearly the recommended way to watch this classic.

 

Running times are listed according to the following scheme
Remixed DVD in 25fps / 4K Blu-ray in 24fps

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A brief comment on the old German DVD, as we compared this as well: The introductory logo differs here. Otherwise, the version is frame-accurate and identical to the old German Blu-ray and also the new 4K Blu-ray = regular original theatrical version.

German DVDGerman Blu-ray / British 4K Blu-ray




The remixed version, on the other hand, starts with a 'remixed' image panel and an alternative reference to Starlight Films.



The following credits have also been revised, and music already starts playing in the remixed version.

Remixed DVD4K Blu-ray




00:23-00:24 / 00:23-04:05

While the remixed version begins with Moff's introductory words late in the sequence (which is slightly earlier than in the original, where another scene is shown alongside his voiceover), the original version introduces all the protagonists with their names displayed. This part has been moved to after the opening credits in the remixed version – more on that below.


Additional material in the remixed version
00:40-00:41 / 04:22

The last shot of Moff before the opening credits is slightly longer in the remixed version. Incidentally, the new song is already mixed in here.

+ 1.3 sec




Alternative / Additional material in remixed version
00:41-02:07 / 04:22-06:29

The opening credits themselves are also designed differently: other shots of people celebrating and different fade-ins; in the original, these were always briely on a black background. In addition, the remixed version dispenses with all the black-and-white shots of political protests in between. The song accompanying it is also different: instead of Fatboy Slim's “Build It Up, Tear It Down,” mentioned in the intro, the song used here is “U Know Y” by Moguai, which was released in 2001 after the original theatrical release. Finally, only the original version features the title screen.

Original version 35 seconds longer

Remixed DVD4K Blu-ray




Alternative
02:07-02:09 / 00:23-00:24

Now the characters are also introduced in the remixed version. The text panels have been replaced and the remixed version features a stylized zoom out from the shot of Jip.

No time difference

Remixed DVD4K Blu-ray




Alternative
03:03-03:05 / 01:21-01:23

The same principle applies to Koop, of course...

No time difference

Remixed DVD4K Blu-ray




Alternative
03:35-03:37 / 01:54-01:56

...and Nina.

No time difference

Remixed DVD4K Blu-ray




Alternative
04:22-04:23 / 02:43-02:45

Now Lulu.

No time difference

Remixed DVD4K Blu-ray




Alternative
04:59-05:00 / 03:21-03:23

Lastly, Moff.

No time difference

Remixed DVD4K Blu-ray




Additional material in the remixed version
05:41-06:00 / 04:05

As described in the introduction, the remixed version showed Moff's last words right at the beginning after the logos. At this point, the remixed version therefore concludes with a different, exclusive take of him proudly announcing the name of a newly conceived club anthem. This is followed by a separate title screen.

+ 19.4 sec




Alternative
06:00-06:08 / 06:29-06:37

The time displayed has been revised - or rather, a pseudo-modern yellow sticker has been placed over the old lettering that was burnt into the image.

No time difference

Remixed DVD4K Blu-ray




Alternative
07:21-07:25 / 07:53-07:57

Same trick in the following scene with Lulu.

No time difference

Remixed DVD4K Blu-ray





Alternative / Additional material in the remixed version
08:47-08:57 / 09:22-09:25

After the Jamaica comment, the remixed version shows another close-up of a butt, this time taking a drag from the joint. Lulu then comments that you can only really talk to a total of three people at college.


In the original version, Lulu and her friend are simply shown looking perplexed again at the end of the scene.


Remixed version 6.9 seconds longer


Alternative / Additional material in remixed version
12:23-12:48 / 13:00-13:11

After Jip jokingly mentioned that he is raped by his boss, he talks about it in detail directly to the camera in the remixed version. He expresses himself in particularly angry terms (“fucked in the arses by the corporate wankers at the top”) and finally says that the Antichrist has long been living among them.


In the original version, there is an alternative shot of him in which he speaks way shorter (and therefore the scene feels more comedic) about the Antichrist off-screen.


Remixed version 14.1 seconds longer



14:02 / 14:29-16:07

While the remixed version continues immediately with Jip's drive to his mother's house, the original version first shows a scene with Moff. A voice-over comment explains that people like him, who don't have a job, end up dealing drugs. However, he is actually a nice guy, far removed from characters like Scarface. After a friendly greeting and a quick glance at what is presumably baking powder used to cut drugs, Moff sells a small packet to his acquaintance Trixie. She only gives him a tenner, which he criticizes. Trixie is amused by this and offers him some “Billy” with a mischievous look. Moff agrees with a grin.

94.6 sec (= 1:35 min)




Additional material in remixed version
16:08-16:39 / 18:18

Before the vision of the conversation with his mother's suitor in the car, the phone rings in the remixed version and Jip has tears in his eyes. He fends off the caller by claiming that his mother died in a car accident last night. Jip takes another breath and walks out the door.

+ 30.7 sec




17:37 / 19:19-19:58

In contrast, the original version takes more time for an emotional moment from Koop. After greeting his father euphorically, he immediately sits down again, looking dejected. His father wonders when he will finally be allowed to go home, and when Koop doesn't have a real answer, he says that they are probably both in danger. When he then adds, "Things could be worse, you know. If it could be you in here amongst all these fucking headcases," they both have to laugh a little.

37.3 sec




19:33 / 21:59-22:06

Koop cheers a little longer at the end of his DJ performance.

7.4 sec




Additional material in the remixed version
20:25-20:57 / 23:00

The remixed version has an additional scene with Nina and her brother Lee. She asks how things are going at home and Lee talks about his father's missteps. He thinks he's a great comedian and amusingly recounts how a recent talent show apparently didn't go so well, of which we also see a short mini-excerpt.

The subsequent shot of Koop talking dirty on the phone then begins a moment earlier.

+ 31.9 sec




23:27 / 25:37-25:46

After greeting her, Jip briefly asks about her boyfriend (“Tyler, the germ”) and Lulu says that she gave him the “verbal post-mortem” today. Jip praises her for that.

8.2 sec




28:24 / 30:54-31:02

Another shot of the city at night, then earlier in the taxi: Moff sits in the back and chews gum nervously.

7.3 sec




29:54 / 32:36-32:48

Lulu, Nina, and Lee approach the pub, laughing.

11.5 sec




Alternative
29:54-30:09 / 32:48-33:03

In the subsequent shot, the time display was again covered with a ‘modern’ one.

No time difference

Remixed DVD4K Blu-ray


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