The following text can be found as "Notes on the version" on the disc:

12:36 / 12:36-13:43

Heidi's colleague says goodbye a bit longer onscreen; "Ciao!" (replaces by the way, a "Bye!" that runs halfway through the beginning of the next scene there in the theatrical version)
The two go separate ways, whereupon you get to see an additional scene at Luigi's workplace: A petrol station customer (director Rolf Olsen himself!) complains a bit and has all sorts of subliminal racist words left for his workers.

Olsen, to another man at the car: "With the car to Spain. That's not worth it at all. I'd much rather fly but it's because of the stupid boat."
Man: "Spedition. I haven't done this to myself for a long time now... sneaking over the Alps with a trailer like that."
Olsen: "What are they driving now?"
Man: "A Sea Ray 240s, D Cruiser. 8 meters, two Turbo Aqua engines. Each with 174 mph ."
Olsen: "Great thing. Now we also change to a Chris Craft. Excuse me."
He turns to Luigi working on the car; "Hey Luigi, how long do you need for the few litres of fuel? Heaven, ass and thread!
Luigi answers something in Italian.
Olsen: "And who should clean the windshield? Me maybe?
Luigi says something in his native language again and adds: "This weather is harsh. Nobody has time and everyone is so nervous.
Olsen: "Yes, yes. We have German tempo, nothing German fa niente."
The man interferes; "First, teach the brothers that. They are keen on the money, less on the work."
Olsen: "Have the same trouble in my business. 30 Turks and 40 Spains... so I tell you what..."
Man: "The whole thing is a farce. Our own people don't have time to work anymore. They have to strike and demonstrate and prepare revolutions..."
Olsen: "Yes, exactly. We can only help them to develop a little so that one day they will slit our throats. Poor Germany. So goodbye, I was nice to meet you."

67.2 sec (= 1:07 min)

20:44 / 21:51-22:08

Christian's "I can still afford that" was already half over Heinz's follow-up scene in the normal theatrical version.
Actually respectively now in the extended version he says it onscreen and adds "shouldn't I accompany you?
Heidi: "No, please don't. See you tomorrow.
Christian also says "See you tomorrow" while they go to the door where he then says goodbye to her.
Christian: "Please pay."
Cashier: "An orange juice, a coffee. 2,90."
Christian gives her something; "Keep the change."
Cashier: "Thank you."

16.8 sec

27:31 / 28:55-30:12

Heidi speaks "...growing up in an environment from which he can profit" still onscreen at the end (in the theatrical version again, halfway through the follow-up recording), then follows a long dialogue in which she criticizes the social conditions.

Christian answers first: "Nothing! But there will always be poor and rich. Privileged and disadvantaged. You don't have to run after the misery."
Heidi: "No you don't have to. I am waiting for a millionaire and Luigi sees that he is getting married into a big company. Is that what you mean?"
Christian: "You fall from one extreme to another. Maybe you will consider that there is also a middle way."
Heidi: "Hmm. And what does it look like, this middle way? Marriage. Looking for a home, for the family. Maybe you'll even find some hole that you can afford. In some mass settlement out in the suburbs. Between the railway embankment and factory chimneys. He has to do the dirty work because nothing else is due to him. And she also goes to the office during the day because there's no other way to afford it. The child? She puts the child in the kindergarten. In the evening she picks it up, then she starts cooking, washing, cleaning up and taking care of the child. When he comes home dog-tired, they eat. Then he falls asleep in front of the TV or behind the newspaper.He still has to stutter the monthly rates for the TV. Year off, year on, always the same. It will never get any further and if it does: The most beautiful years are gone. I don't want to live like that, Christian. I don't."

Note: By the way, the "I don't" is also what you actually hear from her mouth instead of the rest of the sentence mentioned at the beginning, when the camera material is again identical. Christian's following "Maybe you're right" also works clearly differently.

77,3 sec (= 1:17 min)

31:24 / 34:05-34:20

Heinz comments at the wheel: "Just now come these stupid pigs"
Luigi says something in Italian ??? and adds: "Say, do you still want to drive us into the grave?
Heinz: "Shut up! Come on, unpack the hand grenades. Throw them to their roof!"
Again Luigi comments something in Italian but the hand grenades remain in the car.

15.4 sec

32:25 / 35:22-36:06

The car rushes around the corner a bit longer and a police beetle car follows.
Luigi comments again in Italian and translates with: "Step on the gas!
Christian: "Drive on!
In the police car: "Faster, otherwise they'll slip through."
The colleague replied: "Yes, I can't faster".
Luigi again in Italian and Heinz waves off: "Yes, you can talk well..."
The policemen turn around a corner; "There they are!
Luigi: "How do we lose them?"
He adds a comment in Italian and they drive a bit through fog at last.

44.5 sec

65:45 / 69:26-70:07

Christian's been with Marie lately.

Marie: "You see, I am right. You are different. It starts with the name."
Christian: "You're very wrong."
Marie: "No. Or do you want to show me that you are convinced that social grievances can only be remedied by force?
Christian: "Revolutionary changes don't take place through prayer."
Marie: "But also not through bank robberies and police murders!
Christian: "I'm not talking about us now."
Marie: "But me!"
Christian: "That was an act of self-help."
Marie: "Ah, I understand. Private regulation with the capital of others."
Christian: "Better a little for everyone than too much for a few."
Marie: "You're talking your way out with political slogans again. But that's not the point!
Christian: "I don't have the nerves now to discuss with you any further!

40.8 sec

74:33 / 78:55-79:16

The policemen fend off the press for a little longer than hostage Helga is led outside.
Afterwards the gang in the car.

Heinz: "That's good. Drive slower otherwise we get a traffic patrol on the neck. It seems to me that these bastards kept their word. There's nobody behind us".
Luigi: "And in the sky?"
Heinz: "Bravo. 1:0 for you. But with this weather no wonder."

21 sec

Alternative
85:58-86:01 / 90:41-90:44

When Veldt's eye is zoomed in and then scenes from the slaughterhouse are running, there is still the eye above the shots faded-in in the theatrical version. The extended version shows the shots "uncensored".

theatrical version	extended version

Alternative
86:03-86:06 / 90:46-90:49

Same game from Dagmar's eye: She sees sex with another woman instead.

theatrical version	extended version