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Uncut 88 Films Blu-ray with the longer Taiwanese Cut



Cliffhanger






Thelma & Louise






National Lampoon's Vacation






The Pope’s Exorcist






Sisu






Ronin




Iceman Cometh, The

original title: Gap Dung Kei Hap

Comparison:

  • Theatrical Version
  • Taiwanese Extended Version
Release: Dec 30, 2021 - Author: Muck47 - Translator: Mike Lowrey - external link: IMDB
59:08 / 68:01-68:13

A woman at the table makes another comment about Fong: One would have to watch how fast he learns the language.

11,9 sec




65:10 / 74:30-74:49

Fong is first seen driving around a bit in the cab, thinking about whether he should continue to take care of Polly.

19,3 sec




65:56 / 75:37-75:42

Feng San throws something at Polly earlier.

4,5 sec




70:24 / 80:21-80:24

Feng San makes another comment at the end of the shot.

2,3 sec




Theatrical version longer
73:25-73:31 / 83:32

Feng San is seen much longer in theatrical version. The follow-up shot of Polly also insignificantly earlier.

+ 6,4 sec




Theatrical version longer
74:35-73:37 / 84:39

The shot of Feng San in the car starts a bit earlier in the theatrical version.

+ 1,8 sec




80:11 / 90:27-90:28

Fong stays on the ground a moment longer.

0,8 sec




80:15 / 90:32-91:00

The policeman asks Polly earlier about Fong. She truthfully tells about the Ming Dynasty and that his colleague Feng San was a "sexual maniac". The policeman gets impatient and grabs her roughly by the arm.

27,8 sec




81:27 / 92:14-92:20

Before the policeman enters the cell, we see the monitors.

5,4 sec




82:27 / 93:23-93:26

Fong again specifies that Polly is a prostitute.

3,1 sec




83:25 / 94:27-94:35

Polly whimpers longer.

7,9 sec




83:57 / 95:08-95:24

Again, she asks for forgiveness much longer. Fong remains motionless.

16,2 sec




Re-cut
84:14-84:15 bzw. 86:54-89:26 / 95:42-98:22

In the theatrical version, the first shot in the hospital begins insignificantly earlier (not illustrated).

In the TW, we see Feng San buying weapons already here. This comes in the HK just under 3 minutes later, after the hospital scene and Feng San's brief look at the TV. Only the very last shot of Feng San is insignificantly longer in TW (not illustrated).

No time difference



84:22 / 98:29-98:40

Polly has a longer conversation with the nurse in the hallway.

10,7 sec




85:49 / 100:11-100:22

Another shot of Feng San roaming the hospital and one of Fong on the hospital bed.

11,2 sec




86:14 / 100:48-101:02

More shots of Polly. A nurse makes an announcement and Feng San rushes to the stairwell in response.

13,5 sec




86:32 / 101:21-101:32

At the end of the scene, two nurses are talking a bit.

11,5 sec




Alternative
91:41-91:48 / 104:15-104:36

The first shots in the shelter have been tightened and mounted differently. How Polly chops wood actually comes over half a minute later in Taiwan. There is also a first exterior shot in the Taiwan extended version, as well as a shot of Polly cooking. After she is seen fetching water, as in the Theatrical version, she walks with it longer towards the house.

Taiwan extended version 13.5 sec longer




92:09 / 104:58-105:12

Fong looks at his sword in more shots. In between, Polly chopping wood. At last also the shot of her, which was already used in the Theatrical version half a minute ago (= last picture).

14,4 sec




92:33 / 105:37-105:48

Polly watches Fong dump more water over his head in slow motion.

10,6 sec




92:53 / 106:09-106:56

Fong takes another bath and hides in the water as Polly comes in. She tries to calm him down and then leaves. Last shot at night: Fong sits guard in front of Polly's bed.

47,5 sec



How Fong handles his sword afterwards is also tightened by 1.3 sec in two places in quick succession.


93:03 / 107:08-107:13

Fong prepares his sword for a longer time.

4,5 sec




97:22 / 111:42-111:43

A shot of Fong is a little longer.

1,1 sec




98:27 / 112:52-112:57

Some more dialogue before Feng San tries to use his guns.

5,4 sec




98:43 / 113:13-113:24

Fong and Feng San fight around on the ground longer in the same shot, then roll around a bit. Some dialogue, then Fong hits Feng San's hand with the grenade on a rock. How the grenade falls out of his hand is included in the Theatrical version again.

10,7 sec




98:49 / 113:30-113:31

Fong is pressed against the grate.

1 sec




99:42 / 114:27-114:32

A little more swordplay before Fong jumps over the railing.

4,9 sec




99:47 / 114:37-114:41

A little more fast fighting on the ground at first, too.

3,6 sec




99:53-99:58 / 114:47-114:52

The Taiwan version (= TW) again lacks optical effects when the sword hits the power box.


Theatrical versionTaiwan VHS




Theatrical version longer
101:27-101:29 / 116:24

Fong is catching his breath in the Theatrical version at the end of the shot. The follow up shot of Feng San comes also insignificantly earlier.

+ 2 sec




101:57-102:27 / 116:54-117:22

The Taiwan version (= TW) again lacks optical effects.


Theatrical versionTaiwan VHS




102:57 / 117:57

Fong is allowed to strike longer at the end of the shot.

0,6 sec




102:59 / 117:59-118:00

Short cut to Fong from a different perspective.

0,4 sec




103:13 / 118:14-118:17

Feng San gives Fong another knee strike at the end of the shot. Fong lands on the glass structure and Feng San runs at him a little earlier.

Note: The theatrical version then cuts in midway through Feng San's jump, so this movement matches the moment where the cut began earlier in closer perspective.

3 sec




104:03 / 119:09-119:11

Fong poses again briefly.

1,7 sec




104:03 / 119:11-119:13

After an included cut to Feng San, another shot from the same perspective is missing.

1,7 sec




104:18 / 119:28-119:29

A side shot of Feng San and Fong starts a little earlier.

1 sec




104:23 / 119:35-119:39

Feng San a moment longer. Then a cut to Fong and Feng San walks towards him in close-up.

3,2 sec




104:28 / 119:44-119:45

Feng San holds Fong a moment longer.

1,3 sec




105:11 / 120:30-121:31

Before Feng San reaches for the broken glass, Fong is seen a moment longer.

0,9 sec




106:21-107:27 / 121:44-122:52

The Taiwan version (= TW) again lacks optical effects.


Theatrical versionTaiwan VHS




107:27 / 122:52-122:53

Polly is seen a little earlier.

1,2 sec




Alternative / Theatrical version longer
107:30-107:39 / 122:56-122:59

Polly is seen in the TW in one through and so also a bit longer. The theatrical version changes in between again to the long shot, in which the part with Fong in the middle now dissolves.

Theatrical version 6,1 sec longer

Theatrical versionTaiwan VHS




The end credits differ a bit in the middle.

Theatrical versionTaiwan VHS