Additional material in the alternative version
03:05-06:19 / 03:04

Mei climbs up the scaffolding and says: “Great Teacher! I have come for your guidance!”
Afterwards, the two are seen much earlier at the table drinking together. The old master explains that the tea was made with leaves from the mountains and that Mei was a weasel in his previous life. Mei replies that he doesn't think much of such anecdotes.

+ 195.4 sec (= 3:15 min)

Additional material in the alternative version
07:50-08:24 / 04:35

More dialogue between Mei and Master Iron Doors, played by Tien Feng. He says that he considers the venerable Mei a good match for his daughter and warns that he does not think much of adulterers.

+ 33.9 sec

Additional material in the alternative version
08:55-09:51 / 05:05

Mei and the master continue their conversation. He now lists various occasions on which Mei, according to his beliefs, is not allowed to engage in sexual intercourse. Mei soberly notes that this leaves only 10 days a year.

+ 56.6 sec

12:03 / 07:17-07:19

Conversely, the first instance of censorship in the Mandarin version: At the end of the shot, Mei stands in front of the mirror and briefly rubs his genitals, trying to get himself in the mood.

2 sec

12:06 / 07:22-07:25

After the reaction shot to the girls watching, you can see him again.

2.8 sec


13:44 / 09:03-09:10

At the end of the scene, the two try again in a different position.

7.5 sec

Additional material in the alternative version
13:44-14:15 / 09:10

In return, the following scene with Huk-Yeung (Amy Yip) and Mei begins a little earlier. She praises his art.

+ 30.4 sec

Alternative/ Additional material in the alternative version
14:51-15:21 / 09:46-09:52

The Mandarin cut shows another page in the book and Mei explains that couples would not do this during the day unless one of them was ugly.

In the original version, the shot immediately cuts to Huk-Yeung and Mei, then briefly to the page in the book.

Alternative version 24.3 sec longer

Mandarin cut	Original version

Additional material in the alternative version
15:37-15:54 / 10:08

Again, a little more dialogue and more pages from the book: There is some discussion about the abilities of the artist Zhao Mengfu.

+ 17.6 sec

16:38 / 10:52-11:27

The scene is cut off before it gets interesting. The two proceed to have sex, which can then be seen outside on a kind of swing.

35.5 sec

Additional material in the alternative version
16:38-17:10 / 10:08

However, the Mandarin Cut does offer a replacement scene outside with Tien Feng finding Huk-Yeung's shirt and catching a couple in flagrante delicto, whereupon he admonishes them a little.

+ 32.5 sec

20:25 / 14:42-14:45

The book page is opened a little longer and a few explicit details are visible on another page.

3.3 sec

21:30 / 15:50-16:05

The end of the shot is removed rather abruptly with a jump cut: The camera actually pans down a little and oral sex is implied. The cousin then bites her thigh a little.

15.6 sec

21:31 / 16:07-16:27

The next shot is also longer and first the top is pulled down, then (also only implied) the flute is rammed into the anus.

20.1 sec

21:33 / 16:29-18:28

The scene is also significantly longer: The two continue to moan in ecstasy, the flute is used as a phallus substitute, breasts are rubbed together and ridden wildly in scissor positions. The flute then serves as a link between the two buttocks.

119,7 sec (= 2:00 min)

Additional material in the alternate version
22:01-22:19 / 18:57

Before Mei sits down next to Chor (Lo Lieh), the shot in the Mandarin version begins a little earlier and offers him money to join him.

+ 17.2 sec

Additional material in the alternative version
22:36-23:14 / 19:14

The dialogue in the same shot is also significantly longer. Chor warns him that he will destroy many people's lives. Mei reminds him that he said before that one must always think of oneself first. Chor would steal money, he steals hearts, so it's actually comparable.

+ 38.2 sec

Additional material in the alternative version
23:42-23:56 / 19:42

There is more detailed discussion of the drawing.

+ 14.1 sec

26:43 / 22:29-22:32

Wong throws his shirt away from a side angle, revealing his large genitals.

2.5 sec

26:53 / 22:41-22:46

Wong moves towards his wife (Mari Ayukawa) and the profile again suggests something. She falls backwards.

4.2 sec

27:26 / 23:19-23:28

Wong's wife crawls in front of him in two shots and oral sex is implied.

8.8 sec

27:28 / 23:30-23:34

Another shot of this.

3.8 sec

27:29 / 23:35-23:51

The shot in which he pours water over his head is interrupted by further explicit shots.

16.3 sec

27:36 / 23:58-24:35

Wong's wife is pulled aside for a longer period of time and is thus seen completely naked. Wong begins to rape her. Her breasts rub against the table and the act is staged in a rather acrobatic manner.

37.4 sec

27:38 / 24:37-26:05

After a brief moment of changing positions, this shot is actually much longer, and in further shots, the two roll around on the floor. There is some more cowgirl position, and Wong throws his chain at the ceiling. The act now continues with them swinging around on this chain until both reach orgasm. He then leaves immediately.

87.6 sec (= 1:28 min)

28:54 / 27:21-27:29

At the beginning of the scene inside, you see a close-up of a few pages of a book.

7.9 sec

Additional material in the alternate version
29:31-29:38 / 28:06

The alternate version has an additional shot of Huk-Yeung before the shot of her butt.

+ 6.7 sec

Alternative / Additional material in the alternative version
29:41-29:55 / 28:09-28:20

This shot of her butt is significantly longer and at the end you can briefly see her pubic area. In the side shot, you can still see her moving the brush around her genital area.

In contrast, the alternative version has a different shot of her, in which she moans lustfully, followed by a harmless part of the shot of her butt.

Alternative version 3.5 sec longer

Mandarin Cut	Original version

Alternative / Additional material in the alternative version
30:26-30:52 / 28:51-29:07

In the alternate version, she strokes her face and breasts with the brush. In the original version, Huk-Yeung briefly touches her ear with the brush from a different perspective, and then you see (implied) how it is stuck in her vagina and she draws something with it.

Alternate version 9.6 sec longer

Mandarin Cut	Original version

31:07 / 29:22-29:24

The shot with the brush is a little longer at the end: Since her thighs are flashing across the screen here, it is easier to see that she has the brush in her vagina.

2.1 sec

Alternative / Additional material in the alternative version
31:17-31:22 / 29:34-29:49

Actually, there is a cut to a close-up of the (double) breasts squeezing against the wooden pole. Instead, the shot of Huk-Yeung in the alternate version runs through, making the middle section a little longer.

Normal version 9.6 sec longer

Mandarin Cut	Original version

Additional material in the alternative version
34:21-34:55 / 32:47

Dr. Tin (Kent Cheng) talks to Mei at greater length: They discuss the possibilities and risks of open surgery.

+ 34.2 sec

Alternative / Additional material in the alternative version
35:49-36:29 / 33:42-33:49

At the end of the scene, there is an alternative take and the dialogue continues much longer in the Mandarin Cut. Mei is not allowed to have sex for 100 days after the operation, otherwise he may not be able to get an erection again. In addition, he has only tested the method on animals with a 30% success rate and cannot guarantee that it will work on humans.

Alternative version 33 sec longer

Mandarin cut	Original version

41:48 / 39:07-39:14

After Dr. Tin is knocked out, the wooden dildo is thrown into the air and lands painfully in the servant's mouth.

6.9 sec

46:11 / 43:37-43:53

Mei is seen again from a side perspective, and the wobbling horse penis can be clearly seen (under the cloth). The servant is forced to satisfy Mei orally under threat of a sword blow.

15.7 sec

47:27 / 45:09-45:15

The horse's penis moves under the cloth, with a first cut to Mei in between.

6.4 sec

47:30 / 45:18-45:23

Before the flashes in the sky, you can see Mei with the erect horse penis again in a shot from above.

5.4 sec

47:34 / 45:27-45:31

Another shot.

4.1 sec

Alternative / Additional material in the alternative version
49:04-49:23 / 47:02-47:04

Mei rises in the Mandarin cut in the same shot and talks about the importance of proper clothing.

The original version shortens this with an additional reaction shot of the neighbor (Ryoko Shinmura) at the door and later returns to the same shot.

Alternative version 17.1 sec longer

Mandarin Cut	Original version

51:38 / 49:19-49:22

The original version has an additional shot from outside during the scene transition.

3.1 sec

Additional material in the alternative version
51:38-52:06 / 49:22

In return, the Mandarin Cut shows Wong's wife washing herself. The follow-up shot of her walking across the room also begins a little earlier.

+ 27.9 sec

Additional material in the alternate version
52:53-54:12 / 50:09

Before Mei climbs down from the roof, Ryoko grabs Mei's letter and says to Wong's wife that she now owes her something. Ryoko then has all the grease removed from her body.

+ 78.6 sec (= 1:19 min)

Alternative / Additional material in the alternative version
54:54-58:01 / 50:51-50:57

Mei sneaks inside in Mandarin Cut and thinks he is talking to Wong's wife, but Ryoko is waiting in the dark instead. She covers her face and makes Mei mate with her. This makes Wong's wife jealous and she storms in. Chor also suddenly jumps inside and carries Ryoko away. Mei and Wong's wife look on in confusion.

In the original version, there is a different shot of Ryoko at the window instead.

Alternative version 181 sec (= 3:01 min) longer